
It was the very first time that I ever set foot in a comedy bar. It wasn't my cup of tea but that night I was the one who suggested the place to my friends. One couple was a regular in comedy bars and they suggested that we go to Laffline. Being the only single guy in the group, the others conspired against me and volunteered me to do some stunts and be "humiliated" on stage.
The experience was fun and not at all humiliating. A sexy comedienne, Kitkat, whom I was surprised to have a very foul mouth, was the one who did the humiliation. She just interviewed me about my sexual history, which I was half-honest to answer, and then asked me and two other guys to join her in a dance. As a reward, I got free passes for five persons the next time I visit the place. Not bad.
Being a lawyer paid off that night, too. The two gay hosts kept their hands off me as they were quite afraid that I would sue them though I felt the evil eye of one of them. I also got three numbers from girls who were quite smitten with me while I was onstage. They really cheered and clapped for me so approaching them after my "performance" and asking for their numbers wasn't at all difficult.
Saturday. I was too tired to even wake and get out of bed. Got home at three a.m. the previous night and so had to make up with some sleeping time. I skipped gym and, instead, accompanied one of my nephews to the hospital. He seriously hurt his foot during the week and since the wound's condition did not seem to approve, a visit to the doctor was the prudent thing.

Sunday. I went to the gym in the early afternoon. Afterwards, I went solo to watch Daybreak in Galleria. After about twenty minutes inside the theater, I had to stop myself from walking out. The script was excruciating, I couldn't believe that people --even gay people--- talk that way. I also find the characterization and the story development flawed. I couldn't swallow what the director and the scriptwriter were feeding me. The only things that kept me glued to my seat were the beautiful actors and the hope that the movie would only get better as the clock ticked on.
It was supposed to be a tryst between the gay lovers but I was really surprised that they did not immediately get it on the moment they were alone in the vacation house!!! It is not how things happen with me. The moment I get alone with a guy, all clothes are off and we are fucking like the reckless and lustful animals that we are. I also observed Paolo Rivero's face during the sex scene, when Coco Martin entered and fucked him. Paolo's face did not change! Certainly, this guy has not been fucked in the ass! His facial expression never changed. Either Coco's character has a really, really small and thin cock or that Paolo's character has an asshole as wide as the Suez Canal.
Though I saw the film because of Coco, I think he was out-acted by his co-star, Paolo Rivero. The latter was very effective as the closeted gay caught in the crossroads of choosing between living the life he has --with wife, career, and the acceptance of his family--- or the life he wants ---gay and living with the man he loves. Coco, on the other hand, was not as beautiful on the screen with his boatman's tan. His facial expression hardly ever changed during the movie. He lacked tension.
Monday. The best thing about this day being declared a non-working holiday is that I get to stay home and watch the Oscar's live telecast. There was confusion on my part as to which channel would carry the show so I was only able to tune in on the second half of the show.
The biggest surprise is finding out that Tilda Swinton won as Best Supporting Actress for her role in Michael Clayton. She edged out Cate Blanchett, who was one of the many Bob Dylans in I'm Not There. This is a grave injustice. A year from now, people will have forgotten about Swinton's role and the entire film while movielovers and critics will continue to marvel at Blanchett's portrayal in the next one hundred years.
Swinton's win also supports my theory that being George Clooney's friend and working with him really pays off. It may even translate to an Oscar trophy. This guy has Hollywood in the palm of his hands. I've seen his performance in Syriana and I really can't pick which part of it the Academy deemed as worthy of being honored the Best Supporting Performance of the year. Is it the simple fact that he grew a beard and played against type as a debonair leading man?

Clooney has quite a lot friends ---he has fucked a long way from his failed TV pilot days--- who never fail to ingratiate him and deliver the votes. He was behind Steven Soderberg's win as Best Director for Traffic in 2002 over Ridley Scott's Gladiator. This time, the Clooney machinery was able to deliver Oscar nominations for the Michael Clayton leads. Aside from Tilda, George got a Best Actor nod while Tom Wilkinson was nominated as Best Supporting Actor.
It was only the second time in Oscar history that no American actor took home a trophy. British actor Daniel Day Lewis won as Best Actor for There Will Be Blood, French actress Marion Cotillard drew an upset by winning Best Actress for La Vie En Rose while Spanish actor Javier Bardem ended up with the Best Supporting Actor trophy for his portrayal in No Country for Old Men.
I only watched the show out of personal tradition. I've always watched it since 1990 and sometimes even absented myself from work or school just to be able to do so. This year, I wasn't cheering for any particular film as I didn't see the films in principal contention. I have seen none of the best picture nominees though I am eager to see Atonement once it is shown in the country. I have read the book by Ian McEwan three or four years back and it is, to me, his best book so far. But I secretly rooted for Johnny Depp in Sweeney Todd and Paul Thomas Anderson for There Will Be Blood. Boogie Nights and Magnolia are two of the well-crafted films in the last decade and PT Anderson deserves the recognition as an exceptional filmmaker.
All in all, the awarding ceremony was uninteresting and a bore. Jon Stewart lacked excitement and pep. The jokes lacked sting. Even the song numbers from Enchanted failed to entertain. The speeches were forgettable, except the simple "thank yous" uttered by Ethan Coen for the three times he collected trophies for No Country and Scott Rudin thanking his life partner.













































